Previously on CSI: New York:
(bystanders screaming)
DANNY:"Shane Casey had beenon the run since his escape
from prison approximatelyone month ago."
Your brother is a murdererjust like you!
That's right!
(Lucy crying)
Hello.
Oh, my God.
(laughing)
(Lucy crying)
DANNY (over speaker): If youhurt her, I will kill you!
SHANE:...man, I got you.
LUCY:Mama.
The most important thing to you
in the wholewide world,
right here in my arms.
Put her down.
Oh.
Whoa.
Be careful.
You look alittle nervous.
A little emotional.
I mean, your handsare shaking.
You want to make sureyou have a good shot,
'cause, uh, youdon't want to miss.
Just put her down, youson of a bitch-- please.
She puts the gun down now!
Or I kill her!You understand?
All right. Okay.
Babe, babe.
(Lucy crying)
Don't you touch her!
You haveMama!ything.
A wonderful wife.
Beautiful baby.
Aw, look at the cutie.
(bullet whistling)
(crying)
(sirens wailing)
♪ ♪
OFFICER: Courage is not the absence of fear,
but rather the judgment
that something elseis more important.
Today,Officer Lindsay Monroe Messer
is being recognized for anextraordinary act of heroism.
It is my great honor to awardOfficer Lindsay Monroe Messer
the Combat Cross.
(chortling)
CASEY: She puts the gun down now!
LUCY:Mama!
LINDSAY:You shut down the lab for this?
There's a lot of people here.
Yeah, unofficially.
They all wanted tobe here for you.
Hello? Hello?
Captioning sponsored by CBS,
CSI NY PRODUCTIONS,
♪ Out here in the fields ♪
♪ I fight for my meals ♪
♪ I get my back into my living ♪
♪ Yeah, yeah, yeah, yeah. ♪
Hi.
I'm Jo Danville.
I'm your newcrime scene investigator.
And this young woman is dead.
Look, I hope this doesn't becomea regular thing, all righ?
What do you mean?
Well, we like to have a cupof coffee, read the newspaper
before we jumpright into work.
Oh, I guess I wasunder the impression
the NYPD Crime Lab was BYOB.
Bring your own body.
(laughs)Nice.
You know, if youtwo are finished
with the comedy portionof the program,
we got somework to do.
Sense of humor: Messer.
Sheldon Hawkes: no fun.
Don't listen to him.
I want to know what other floorswere compromised
and how somebodygot past security.
TAYLOR: Hey! What the hellare you doing?
In case you missed it,
we have a murdervictim in the lab.
If you don't belong here,
get where you need to be.
If you havean assignment,
get to it. Move!
Well, I almost ranout of here.
Any idea who she is?
No. Definitely doesn'twork in the lab.
My first thought was(laughs)
it's a practical joke.
You know? Welcometo the New York Crime Lab.
We usually sabotagea pair of latex gloves
or have a tech poseas a dead body in autopsy,
then suddenly pop to life,
But murder?
Not our style.
Good to know.
Dried blood pool.
She was stabbedjust above the clavicle.
Degree of rigor suggestsour victim's been here
at least eight hours.
Hard to believenobody found her.
Well, the lab was empty.
Only had two techson since midnight.
They never leftthe building,
had no reason to bedown by these elevators.
Two deep puncture wounds,evidence of bubbling.
Probably puncturedthe airway.
She was chokedbefore she was stabbed.
Looks like petechialhemorrhaging,
in one eye,which is very strange.
Excessive makeup,
which tells meshe's single, but dating.
The soles of her shoesare significantly worn,
so I imagine she walkseither from her home
or to the subwayon her way to work.
(sniffs)
Ah, the fragrancewas a gift from a man.
The scent is sweet,not floral.
Do you happen to knowher mother's maiden name?
Just trying to make a goodfirst impression with the boss.
You know what's so odd--
is I had to gothrough a pat-down
and practicallygive up my firstborn
to get through securityand up to this lab.
We're going to snipa lock of your hair
before we give you a desk.
My point being that if shedoesn't work in the crime la,
how did she getonto this floor?
Trust me-- that's a questionI definitely want answered.
(funky rock beat playing)
♪ Ah, ah... I'm gonna get ya ♪
♪ Ah, mmm, ah ♪
♪ I'm gonna get ya ♪
♪ Oh... ah, I'm gonna get ya ♪
♪ Ah... ♪
♪ I'm gonna get ya ♪
♪ Uh, ah... I'm gonna,I'm gonna get ya now ♪
♪ Uh,I'm gonna get ya now, yeah (gasping)♪ Help me!
♪ I'm gonna get ya now ♪
Please help!
♪ Mm, mm-mm, mm-mm... ♪
No castoff.
No blood trail.
No spatter inside the elevator.
Her clothing and hairwere saturated with blood.
Nothing made itto the floor.
There's blood traceon the "close" button,
so she was stabbed beforeshe got in the elevator.
DANVILLE:No handbag, no jacket,
no phone--she was not a visitor,
she works in this building.
All right, with thatkind of injury,
she couldn't havetraveled far.
Pardon the pun,but our vic
only stabbed the buttonfor this floor.
She had to have known this was
the crime lab.
(gasping)
So she got off on ourfloor looking for help?
But she'd have to havethe access code
for this elevator toeven stop on this floor.
FLACK:Not last night.
The surveillance camerasand the security system
went down for a couple hours.
We're still lookinginto the cause.
That's quite a coincidence.
Hey, how you doing?
Don Flack.
Hey. Jo Danville.
You, too.eet you.
They don't usuallymurder people in the lab.
This is new for them.
Oh.
So why go throughthe trouble of breaching
HAWKES:You could justing?
lie in wait and attacksomeone in the street.
I don't know.
But we're gonna check
every floor and cornerof this high-rise
until we find out.
I sense you don't feel deservingof that medal.
I killed a bad guy.
I did what I wassupposed to do.
But where would you beif you didn't have the courage
to pull that trigger?
I'm very concerned about you.
Look, I appreciate everythingyou're doing for me.
I'll be fine.
Lindsay, I goingto recommend further counseling.
What don't you get?
I have no remorse,
I have no regrets,I have no nightmares.
You can check them all offyour stupid little list.
So, how is itdone.
that after five months,
I hardly know anythingabout you?
I'm here becauseit's a department mandate
because I killed a guy.
That's all you need to know.
Everything else about meis none of your business.
(sighs)
DANVILLE:These elimination prints are
completely unnecessary.
I was an FBI agent.
I'm in thefederal system.
Look, I don't wantto knock your former employer,
but they're not exactlybuilt for speed,
and Mac is not a patient man.
You know what I think?
I think this is lameattempt at a come-on.
What?
You think I don't see rightthrough your little ploy?
I wonder if Harriet andCharles would be upset
to know their youngest sonis a bit of a player.
(anxious laugh)
No. You-You've gotthe wrong idea.
I mean, I'm seeingsomeone, and...
Well, there's two.
How do you knowmy parents' names?
I've seen your FBI file.
I have a file?
A thick one.
And I've seen some ofthose Web sites you visit.
Well, I... You know, I...
I'm not the only onethat uses that computer.
I mean, I've got friends thatcome over, and we do research.
What Web sitesare we talking about?
I didn't thinkyou'd be that easy.
I am just kidding.
(laughs)
(stunned chuckling)
About the Web sites,or-or the file?
♪ ♪
The vic's nameis Sarah Nelson,
a ten-dollar-an-hourjunior associate
with a 60-hour work week.
This was left after thecleaning crew came through.
Freshening up herlipstick after hours.
She was either gettingready to go out,
or waiting for alate night rendezvous.
Well, she couldn't have had muchof a social life,
working all these hours.
Looks like our vic wasface-planted into the window.
I don't think she wasstabbed here, though.
There's not a drop of blood.
Could have startedwith a cozy encounter.
HAWKES: There's nothingcozy about this.
Gravitational blood drops.
No directionality.
Probably from the bladeof a knife.
I'm guessing she slammedinto the display case
and was stabbedright here.
So, the surveillance camerasand the security system
were tampered withat an outside junction box,
and whoever did itcleaned up after themselves.
System went downat 12:04 a.m.
Midnight security guard'snot exactly Sherlock Holmes,
so it took him about an hour
to realizethat there was a problem.
System was back onlineat 1:24 a.m.
DANVILLE: The M.E.'sinitial estimate
put the time of deathbetween midnight and 1:00 a.m.
(gasping, screaming)
(shrieking)
(screaming)
(gasping, screaming)
(gasping)
(scream echoes)
Sarah Nelson was murderedwhile I was still here.
I've solved the mysteryof what we thought
was petechialhemorrhaging
in the one eye.
Take a look.
Invisible to the naked eye.
Whatever they are,
they appear to have been therefor several days.
So it's unlikelythey're related to the murder?
Right.
Any sign of sexual activity?
Not recent,but our victim was
in the earliest stagesof pregnancy.
Any idea whattype of bladed
instrument we'relooking for?
Yes.
After quite a bitof quiet deliberation,
I have a theory.
Uh, it'll be easier to show you.
Uh, the right subclavianartery was completely severed,
resulting in massiveinternal bleeding.
That would explainthe lack of arterial spray
at the crime scene.
Right, but take a lookat these wound tracks.
Divergent.
Moving atopposite angles.
And neither oneby itself
would have severedthe artery completely.
Then we'd expect to seeat least some arterial spray
after the first stab wound.
Unless they happenedsimultaneously.
And the only waythat's possible
is witha double-bladed instrument.
One capable of tearing througheach side of the artery,
completely severing it.
Like a pair of scissors.
Medium-velocity spatter.
DANVILLE: Directionality pointsaway from the stab wound.
That means this blood is morethan likely from her attacker.
She fought back.
(yelling)
(grunting, blade slicing)
Jimmy Choo.
Not bad on a juniorassociate's salary.
Kate Spade purse,designer blouse,
Dolce & Gabbana pants.
There's a month's paysitting on this table.
Maybe she was someone who had tobe clothes rich to get ahead.
Hmm. Plenty of storesaround here
that have great knockoffsfor a quarter of the price.
No one's checking tags.
Someone is taking care of her.
There are no guys in anyof the pictures on her desk.
Could be from an old flame.
She was expecting a visitor
that she really wantedto look good for.
An older, more established guy.
Or a young hotshotwith lots of cash.
Well, maybe, but...
a discreet,late-night rendezvous
with a man in the officewho lavishes her
with gifts-- I'll put my moneyon an older, more established,
wealthy, married man.
Hmm.
That's our suspect.
Sounds like you'respeaking from experience.
How I wish.
ROSS:Not only will it figure out
the pass code to Sarah's phone,
but once I'm in,it'll give me all her deleted
e-mails, texts andinternal application data.
Oh, so, uh, deleted is neverreally deleted, huh?
I keep telling you guys that,but nobody believes me.
Hey, so, uh,what do you think of Jo?
I think, uh, Jo'spretty damn smart.
She's cool.
I like her a lot.
Oh, she gives me the creeps.
I think she's gotsecret files on all of us.
Yeah.hs)Files?
What kind of files?
Secret.
Okay, here we go.
We're in. Now here comesthe hard part--
sorting through all this crapas fast as we can.
Hmm. Good luckwith that,
Whoa, hey.
Where you going, man?Pull up a chair.
Grab a keyboard,help a brother out.
Come on, huh? Huh?
BONASERA: "Linds, just wanted to congratulate you
"on your commendation today.
"You're so brave in so many ways.
"It's just a little gift
"that represents my admiration for you.
"Things here in New Orleans are great,
"although it's not easy being the boss.
"I'm going a million miles an hour.
"Can't catch my breath.
"Say hey to everyone.
"I miss you all.
Love, Stella."
Lindsay? Hey.
I'm Jo Danville.
Nice to meet you.
I've heard a lotof great things about you.
Likewise.
Oh, congratson your medal.
Oh, thanks.
I got it.
I'm a mess.
(sighs)
You okay?
Yeah. Sorry. I...
No matter howmentally tough
you think you are, orhow justified you were,
killing another human beingis going to affect you.
There's no shame in it.
Till today,I didn't feel anything.
What changed?
You putting that medalaround my neck.
For the first timesince the shooting,
it took me right backto that moment.
You know, Shane Caseycame into my house.
He threatened my family.
I killed him.
I'd do the same thinga hundred times over.
I never feltscared before that.
I... I never cried.
I never thought about how muchdanger we were in.
I just did what I had to do.
Well, nothing prepares youfor that kind of terror.
And there's no book on howwe deal with it afterwards.
We never went backto that apartment.
I never took a day off work.
I just swept it allto the side
like it never even happened.
What if I can't dealwith it, Mac?
You already are.
It's happening.
This is the beginningof coming to terms with it.
Is that what I'm doing?
You'll get through this,Lindsay.
How can you be so sure?
You're a warrior.
If there's one thingI've learned over the years--
the spirit of the warriorcan't be broken.
Thought I'd find you up here.
Is this your new spot?
Did I have an old one?
Yes, you did.
Right here.
(chuckles)
I talked to the departmenttherapist.
Danny, I am not goingback there. I'm done.
I know that.
I'm not asking you to.
But, uh, baby, youdeserve this, okay?
You deserve it.
Okay, not for... not forthe life you took,
but for the life you saved.
You saved our daughter.
You're my hero.
Hey, Josephine.
Ah, really?
That's not what itsays in your file.
Hey, Mac.
Thank you..
Enemy-X. It's an appthat tracks locations
of the peopleyou want to avoid
at the placesyou want to hang.
It sends a GPS signalfrom their phone to yours...
And tells Exactly. location.
Looks like she hasa lot of enemies.
She did. But accordingto the call log
in Sarah's phoneand a couple dozen
deleted text messagesand voice mail,
there was one guy beggingto see her, all right?
Then two days ago,it just stopped.
Our first suspectis Rudy Aronika.
And our vic was definitelytrying to avoid him.
Where can we find him?
Oh, uh... right here.
I loved Sarah.
I didn't have anyreason to kill her.
DANVILLE: But, Rudy, isn't thatthe perfect reason?
It's really the people thatwe truly love
that can hurt us enough to bringout that kind of rage.
She's pretty damn good.
Box of tissues on the tableis a nice touch.
The old power of suggestion.
I bet her a steak dinnerit wouldn't work.
DANVILLE:Tell me what happened.
What did she do to you
that made you so angryyou wanted to kill her?
I didn't kill her.
Look, I'll admitwe'd been fighting a lot lately.
What were you fighting about?
Was she threateningto expose the affair?
No.
Sarah would never do that.
Sarah was dating mebecause I was married.
She didn't want the commitment.
I was safe.
And for a whilethat was...
it was okay with me.
(voice breaking):And then...
I just... I realized
what a wonderfulperson she is... was.
So what do you think?
I think the only thinghe's guilty of
is a lack of integrity.
DANVILLE: Then you fell in lovewith her, didn't you?
ARONIKA:Yeah.
When she sensed you wantedto leave your wife for her,
she started pullingback, didn't she?
Yes.
It was pretty much over.
And a couple of nights ago,she asked me to come over.
I was just hoping, maybeshe'd had a change of heart.
But instead she told you she waspregnant, isn't that right?
I was devastated.
Devastated or angry, Rudy?
Angry that she wasrejecting you?
Angry at what could have been?
No, I was devastated.
I had a vasectomytwo years ago, Detective.
Sarah was carryingssomebody else's baby.
ARONIKA: Yeah, that's right--somebody else's baby.
(phone ringing)
Taylor.
When?
I'll be right there.
What's up?
Foreign bloodfrom Sarah Nelson's blouse
got a hit to blood tracefrom a mugging
that happened last night.
We have another victim,
and he's still alive.
Teddy Westwick'sgot some office here.
This has gotta costa pretty penny.
And then some.
You have two officesin the city?
Three.
This one is just for me.
FLACK:So basically,
you're filthy rich?
Yes. But it's notthe buildings I design
or the offices that I own
that make me rich,Detective.
It's my wife and daughter.
Mr. Westwick,do you have any idea
why you were attackedlast night?
It could have beenany number of things.
Money, jealousy and revengeare the big three.
I think it was a goodold-fashioned
New York mugging, Detective.
From a thug who was feelinglucky, I suppose.
I'd just left the Avenue Grill.
Probably reeked of one too many.
And he thoughthe had a chance.
He, uh, he didn'teven say anything.
He just started slashing.
He cut my arm.
We struggled.
I took the scissors away from him, stabbed him,
and he took off.
The details are in the reportthe officers took last night.
You didn't know this guy?
Can you tell uswhat he looked like?
No, I didn't really geta good look at him.
He didn't demand any moneyor property?
No.
Why all the questions?
Don't you find his choice ofweapon a little strange?
I mean a guy who was
sophisticated enoughto disable
a state-of-the-art alarm system
comes gunning for youwith a pair of scissors?
Yes, I'll admit it's a bit odd.
TAYLOR:It's more than odd.
It doesn't make any sense.
FLACK:Were you in that office
last night, Mr. Westwick?
No, I was not.
Well, it's hard to believethe murder of an employee
at your architectural firm,less than ten blocks away,
an hour before you wereattacked,
is merely coincidence.
Detective,I have no reason to ignore
that obvious possibility, but Ireally don't know what to thin.
Blood found on Sarah Nelson'sbody was a match
to blood found at the scene
of your mugging.
Your attacker firstcame to your office,
then found youon the street.
It appears this guywas hunting you.
And it sounds like he was aftermore than a Rolex and some cash.
Something he waswilling to kill for.
Help us out.
What could he have been after?
Look, I'm sorrythat young woman is dead.
I'm told she was a... a devotedemployee, a terrific person.
Believe me, if I thoughtanyone I knew was responsible
for her death, I certainlywouldn't protect them.
Detectives, I was walking homeand a strange man attacked me.
That's what I know.That's all I know.
♪ ♪
Adam.
Oh, hey, Lindsay.What's up?
Listen to this--
when is a matchto a fingerprint
not a direct matchto a fingerprint?
Uh, uh, when the DNAof the fingerprint
is a match in CODIS.
But that rarely happens.
It jWhat?id.
I found a mysteryprint on the scissors.
I ran it throughAFIS, I got nothing.
Then I swabbed DNAfrom the print. Get this--
12 hits iTwelve?!
Yeah, it turns out
our killer is a burglar.
And a high end one at that.
He never takes anythingless than 50 grand.
He's never been caught,never been I.D.'d.
Yeah, burglars don't kill.
Unless they have to.
So we got the guy, right?
Well, no, becausethe hits in CODIS
were to an unknown profile.
Okay, but we gotthe prints still.
Yeah, which got menothing in AFIS.
Then we just run it
through every databasein the entire world.
(phone ringing)
Hey, what's up?
No.
Because I said so.
No, no, absolutely not.
Because I... said so.
Love you, too.
Was that your son?
No, my mama.
A canvas of the areaaround the Avenue Grill
got us what wethought we would get--
which was nothing.
We're tagging the securitysurveillance in the neighborhood
but that's going totake a little while.
What about Westwick?Was he seen with anyone?
Anyone follow him out?
No. Bartender can't saythat he was there,
but can't saythat he wasn't either.
Same thingwith the waitress on shift.
Busy place.
HAWKE:Check this out.
Sid confirmed that the scissorsrecovered from the scene
of Westwick's mugging areconsistent
with the scissorsthat killed Sarah Nelson.
Same length, width of bladeas well as puncture marks:
perfect match.Lindsay's processing them now.
DANVILLE: This is wherethis whole thing throws me.
Who brings scissorsto murder someone?
A knife, a gun,even poison
would make more sense.
You're suggesting it wasn'tpremeditated.
Scissors arelike a letter opener;
items that you would grabin the heat of the moment
that could be on a desk
The compromised
surveillance and the alarmsystem would indicate
that this wasdefinitely planned.
And the disabling ofthe pass codes of the elevator
just prior to the murder--
can't do somethinglike that on the fly.
So maybe murder wasn'tpart of the plan.
Then why'd our killerlie in wait
outside that bar, chaseWestwick down the street?
We can ask him.
And a location?
courtesy of the New York CityLiquor License database.
Print was a matchon this scissors.
Thank you.
Here you go, ladies.
Compliments ofthe house.
How you doing?
I'm lookingfor an Alex Brodevesky.
Oh, yeah.He's right over there.
(patrons screaming)
Your turn.
(grunting)
You kidding me?
(patrons screaming,clamoring)
(patrons yelling)
Police! Look out! Move!
Get up... get up...get up!
(grunting)
I have to admit this ispretty special for us.
You're quitethe infamous man.
You don't lift anythingworth less than 50 grand.
I imagine you wouldn'tbreak into a building
with a crime lab in it
unless it was for somethingwith that price tag,
so what'd you steal?
Look, aside from your recentventure into murder, we've been
looking for youfor a really long time.
So let me give you a friendlypiece of advice,
and this is not somethingI usually do, right?
Never.
You can continuewith your story.
But it's only gonna come backto bite you in the ass
when you need to make a deal.
He's not kidding.
I've made a livingin some unconventional,
possibly illegal ways,
but I didn't killthat girl.
But you admit to attackingTheodore Westwick.
I'm telling you he attacked me!
Why would he do that?
Because I saw him kill her.
Look, I broke intothe place.
I saw him...
we struggled...
I ran, he followed.
He stabbed me in the back.
Stabbed youin the back?
Yeah.
He chased me rightout of the building.
The struggle on the street,
I took the scissors from himto defend myself.
I cut him, and then I gotthe hell out of there.
And you never thoughtto go to the police?
(scoffs)
I'm a thief.
My word against his?
Plus a money guylike Westwick
he can make a guy like medisappear without a trace.
His story explains a lot.
The plan to burglarizethe office-- premeditated.
That's whythe security system was down.
Scissors as a murder weapon,grabbed in a moment of rage.
This murder wasa crime of passion.
Two separate crimes.
So Alex was attempting burglaryat the same time
Westwick was killing Sarah.
Do you believe him?
I will when we find the proof.
This is the shirtTheodore Westwick wore
the night of the mugging.
I'm hoping the blood spatterpattern will tell us
who's the attackerand who is the victim.
It's almost impossible.
I'll take that challenge.
Look, I know, asforensic investigators,
we're not supposed toconsider innocence or guilt,
that we draw upon scientificunbiased conclusion.
In this case,I'm going to assume
that Alex Brodeveskyis innocent,
and see if the scienceproves my theory.
You can't do that.
Why?
Uh, well, be-be... because.
That's it? Because?
I'm not breakingany rules.
I'm trying to create new ones.
ROSS:No blood drops.
(both grunting)
ROSS: The bloodpattern on the wall
at the mugging sceneindicates Alex
was pushed against itduring the struggle.
But if Westwickwas slashed first,
he would've beenbleeding heavily,
and there are nogravitational blood drops
anywhere on the groundnear the wall.
We've got arterial sprayfrom Westwick's wound
on the newsstand...
(grunting, panting)
...several yards from wherehe claims he was attacked.
Now if Westwick's forearmwas cut first,
we'd have gravitationalblood drops like this
all over the crime scene.
But there is none,which means Alex was stabbed
in the back first,
before Westwick's armwas slashed.
ROSS:So Alex fought him off,
grabbed the scissorsto defend himself,
slashed Westwick,and then took off.
I'm telling you he attacked me!
He stabbed me in the back!
He's telling the truth, guys.
Which meansWestwick killed Sarah.
No, we don't have absoluteproof of that though.
Just Alex's accusation.
Hey, what's up?
Know every answer,leave no questions.
I can't explain the castoffon the cuff of this shirt.
These spots are castofffrom the scissors,
but in order to getinside the cuff,
it had to have beenfrom this stabbing motion.
And it wasn't from Westwickstabbing Alex in the back.
Alex's shirt would have absorbedmost of the blood
when the scissors wereextracted.
There wouldn't have beenenough blood on the blades
to create this pattern.
And the only way that patternis possible
is if Westwick stabbed Sarah.
(shrieks)
Guys, new development.
Sid found the originof the thorns in Sarah's eyes:
tarantula hairs.
Apparently, the spider spews hairs as a defense mechanism.
That means Sarah was in Westwick's
private officein the Chrysler Building.
And Westwick impliedthat he didn't even know her.
We got him.
(sirens wailing)
Move, move, move, move!
Charlie, go!
I'm all clear!
Delta, clear!
Clear!
CHOPPER PILOT (over radio):Eagle's got eyes on the suspect.
61st floor, platform.
(helicopter circling)
Freeze!
Get down, face first,right now!
Don't move!
Get off the ledge, Westwick!
Down on the ground!
That helicopter is not yourescape out of here.
It's one of mine.
What happenedwas an accident.
It was an argument that got outof hand. You gotta believe m.
It was murder!
No, that girl was goingto ruin my life.
She thought I wouldbe a father to that baby.
She didn't care whatthat would do to my family.
Damn it.
She didn't care about me at all.
Get down on your knees
and put your handsbehind your head!
(slow, distorted);Don't do it!
Thank you, sir.
Are all of your caseslike this?
Pretty much.
Thinking of quitting already?
Hell, no.
I do have to admit it wasone heck of a first day.
(Southern accent):We do things a little slower
down in Virginia.
Well, welcome to the New Yorkcrime lab, Jo Danville.
It's still a beautiful city.
Yes, she is.
♪ These streets will make youfeel brand-new ♪
♪ The lights will inspire you ♪
♪ Let's hear itfor New York... ♪
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CSI NY PRODUCTIONS,
Captioned byaccess.wgbh.org oup at WGBH